AN ARTFULLY DISJOINTED EVNICE BIENNALE

In its 114 years, the Venice Biennale has grown from a small festival organised by a local city council into one of the most dense and most important agglomerations of contemporary art the world has ever seen. The 53rd Venice Biennale crams 77 national pavilions and 38 collateral shows into the traditional Giardini (gardens) and Arsenale (shipyards). Counter-festivals have sprung up beyond the official boundaries, and there is even an Internet Pavilion.

http://www.moreintelligentlife.com/blog/james-mcgirk/reactions-venice-biennale

stefano meneghetti

stefano meneghetti

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More Intelligent Life Story

IGGY POP’S AMBIENT, LITERARY JAZZ ALBUM


Iggy Pop, the gravelly godfather of punk rock, has mellowed since his howling heyday in the 1970s. But his latest album, Les Préliminaires, would seem almost inconceivable to fans of the smack-addled screamer’s early work with The Stooges. Once famous for guzzling gallons of bourbon on stage, rubbing broken glass on his writhing chest and growling “I Want to Be Your Dog“, Iggy Pop has released an ambient jazz album. And not just any jazz album. Sung partly in French, it was inspired by a novel by Michel Houellebecq called “The Possibility of An Island” (”La Possibilité d’une Ile”) … [Link]

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Knight Foundation Award

Play the News Game won the Knight Foundation’s first “Knight News Game Award.” My personal contribution to PtN was choosing, writing and editing each game. Many thanks to ImpactGames’ excellent team – here’s hoping we can get a little funding out of this!

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MFA Personal Statement

I’m including this because during the application process I couldn’t find a single example of a successful MFA statement, so here’s mine:

PERSONAL STATEMENT

My literary practice began as a reaction to an alien environment, and at its best retains the defiant posture of exile. I was born in London but dragged through a progression of increasingly strange, pungent countries by my parents, who were both foreign correspondents. Our last post was New Delhi, a dusty megalopolis teeming with medico-pharmacological complexes, sleek five star hotels whose clattering silverware and condensation-streaked windows conceal croaking lepers and shantytowns that look like dried mud puddles behind the tinted glass of an A/C taxi cab.

I attended an American Embassy School in an armed compound but prowled the city after-hours, trying to assemble my own version of the crystalline future I was convinced my homeland was sliding into and I could only glimpse at through the trickle of data coming over our 2,400-baud Internet connection. I collected transistors and halogen bulbs, gobbled waxy orange spansules of dubious intelligence-expanding pharmaceuticals intended for Alzheimer’s patients, and put out an underground newspaper called The Green Banana. My stories (pastiche of William Gibson and line art traced from The Last Whole Earth Catalogue) were typed, snipped into columns, taped onto B4 paper ‘plates’ and photocopied. My largest run was 300 copies, and peculiar enough to keep me confined to the school library “under supervision” by soft-spoken, khaki-clad American strangers when the Clintons came to visit.

I moved to the United States in 1997 for college, expecting to become a combination chemical engineer, architect and painter. The United States I found left me reeling; I drifted in and out of college, moved to Colorado, then California, then Hong Kong to intern at TIME magazine. I held jobs at casinos, in toy factories, forged bronze bells in an architectural commune in the Arizona desert, reading and writing throughout. At various moments Don Delilo, J.G. Ballard, Rudy Rucker, Jonathan Lethem, James Ellroy, Peter Carey, Martin Amis, Evelyn Waugh, Robert Stone, and W. Somerset Maugham all fundamentally re-wired the way I thought about literature.

Early on my “real” work was patchy, more cartoonish doodle than writing, but gradually it began to take shape, particularly after working as a freelance journalist and online editor. I moved to New York City in 2002 and completed my undergraduate education at the Columbia’s School of General Studies in 2007, where, with help of superb instructors like Sam Lipsyte and Joanna Hershon I learned to discipline myself and pin down ideas, build the story-making machinery, and churn memories into fiction. What I want from grad school is to come in from the cold, to contextualize my work within the larger discourse of contemporary writing and perfect my exile patois. I completed my first novel in May, it was an attempt to harness that angry sense of alienation I used to exist in; though the story veered off into thriller territory in the latter third, I feel I have reached the point where I am confident enough for informed feedback and that, above all else is what I am really looking for.

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Columbia MFA Writing Program

I have been offered a slot at Columbia’s MFA Writing Program, which I am happy to accept. Really I only applied there, Hunter and Brown and after learning a bit more about Brown I decided I would not really fit in there. So this summer I will finally drag myself out of New Haven (a.k.a. Old Haven), back to New York City where I never should have left.

Am adding “Columbia University, MFA, expected graduation 2011″ to my resume. My writing is now double Ivy League sanctioned. Hard to come off as tough guy now.

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Play the News Game

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Culture 11 Op-Ed

Why Attack Hotels?

Take the population of New York City, double it, cram it into an archipelago half its size, and turn up the temperature: you get Mumbai, a city whose luxury hotels are its best escape. These air-conditioned comfort bubbles, far above the sweltering, seething masses, afford the world-weary traveler or Indian executive access to the best restaurants, luxuries like crisp croissants and pepperoni pizza, glossy magazines that haven’t yet gone limp in the relentless humidity, water that won’t give you “Delhi Belly,” and respite from the traffic jams and screeching hawkers on the streets below… (LINK)

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Writing Samples…

The Economist’s More Intelligent Life 

http://moreintelligentlife.com/authors/james-mcgirk

 http://moreintelligentlife.com/blog/iggy-pops-ambient-literary-jazz-album

ImpactGames

I was the senior writer and (only) editor at Playthenewsgame.com – all of the games published after March 12th were written by yours truly and are probably the best demonstration of my research and reporting abilities:

http://playthenewsgame.com/community/home.action

The L Magazine

Archive:

http://www.thelmagazine.com/newyork/ArticleArchives?author=1134113

First person literary non-fiction:

http://www.thelmagazine.com/5/18/partyphotos/feature1.cfm

http://www.thelmagazine.com/6/7/feature/feature1.cfm

Columbia Journal of Literary Criticism

Academic criticism…Ben Jonson’s The Alchemist

http://www.columbia.edu/cu/english/cjlc/journal.htm

Columbia Daily Spectator

My bi-weekly column in the Spectator:

http://www.columbiaspectator.com/taxonomy/term/4050

Older Stuff

Here are a few old stories from Foreign Policy Magazine (both embargoed behind the subscriber wall, I’m afraid):

http://www.foreignpolicy.com/story/cms.php?story_id=2221

http://www.foreignpolicy.com/story/cms.php?story_id=1856

There is old TIME Asia stuff out there somewhere, I will update if I come across it…

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IMFL Visuals

George Rush,

Don’t know why, but this artist captures something that I try to in IMFL

George Rush, “Interior with Bust” (2005-2007)

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First Chapter

INDIAN MADE FOREIGN LIQUOR
1.

My father, John Frum’s self-imposed exile as best I can imagine it:

The only line out of Dharamsala was a convoy pulled by two miniature steam engines that huffed and shuddered down the steep grade and narrow track of the arch gallery, cutting through the terraced tea-plantations, step-like ledges of impossible green contouring the foothills of the Himalayas; the train grinding and clattering down each
layer in succession, puncturing each foggy isothermal veil to reveal a slightly different configuration of neon dabs snatching black handfuls from the glossy thickets of tea, baskets bobbing on their ruined backs.

John’s travel agency purchased him an entire first-class compartment, and he spent the last leg of his journey, from Kashmir to Bombay, alone in a riveted cage occasionally woken by a uniformed porter yanking open his capsule and presenting him with yet another tray of tin rice and curry bowls that he would later come by to collect, and a disposable ruddy clay pot of thick yogurt he would not. John tried not to look out
his window. When he did he often found himself face-to-face with one of the children constantly leaping and clinging to his window and would be forced to watch a filth-blackened face smear itself open against the glass and watch the labial pink contortions of what seemed to pass for funny faces in rural India. A spitty afterimage would remain for hours, attracting flies. Nighttimes they vanished and John roamed the cars or stood between them and smoked, watching embers sucked into the slipstream, orange meteorites streaking off into the starry blackness beyond.

Gradually the air thickened and the endless yellow mustard fields zipping by were replaced by water buffalo wallowing and tugging at reeds; the tracks rose off the ground onto an earth mound and the train appeared to skim its way across an endless puddle.

John awoke to a knock one morning and found what appeared to be a dozen cratered Milk Duds mashed up against his compartment divider. Some were mustachioed and all waved paper chits. A conductor’s arm -– khaki, jangling with brass epaulettes — thrust its way between them, rapping at the glass. John kicked off his sheet, unlatched the door and a horde of Indian businessmen piled in, a cloud of persnickety energy crackling between them, the smell of putrefying non-veg meals leaching out from the identical space-age cylinders of gleaming zinc each one carried next to his Bakelite briefcase.

Reeking of hair tonic they shoved John’s suitcases out of the way, tumbling leftover pots and lighting harsh twists of raw tobacco and clove. They crammed into the slippery vinyl seats, wedging themselves in, grabbing themselves, farting, sneering and waggling newspapers.

Each one was dressed the same: a blinding white shirt stained at the pits, the unseemly outline of an undershirt and a pair of dark nipples lurking beneath. They wore itchy-looking charcoal slacks and toothbrush mustaches, one yanked open a window, spat, turned to John: “Next stop: Victoria Terminus.” He smiled, his teeth stained red with pan.

John fixed his gaze out the window, breaking off occasionally to smile at his fellow passengers –- unabashedly staring at him — and curl his foot backwards to tap the scuffed surface of his suitcase to reassure himself of its presence. Outside, a pair of rails swooped in beside theirs, then a second, then a third, then the tracks swelled into a blur of docking trains, rail sheds and telegraph cables bisecting the glistening skyscrapers looming in the smoggy dawn beyond. An instant of black then a vast steam age industrial cavern: triangular struts, ornate clock faces dangling from the ceiling, scrawls of hand-painted Hindi flashing by.

Vendors lurked on the platform, tending cauldrons of chai, stirring from their mats as the first class cabin approached. They lurched towards him, squabbling amongst themselves, unfurling brown arms, clutching foil packets and baskets of cigarettes, waving at him, clawing at the window as the train passed by. Shoving one another out of the way as they gave chase.

The businessmen stood, grabbed their cases and jostled out into the corridor as the train jerked to a hissing, shrieking halt. John gathered his floppy leather suitcase and walked after them down the corridor. He watched the last businessman step off and become the last segment of a long white maggot wriggling its way into the brown mass swelling on the platform.

John stood teetering at the threshold of the first class cabin, the cool hollow tube-like corridor behind him the sweltering swirling masses in front. The anemic breeze of an electric fan rustling the hairs on the back of his neck felt like a tether, no one knew where he was, he didn’t know a soul in the megalopolis beyond.

His heart went from a canter to a gallop.

The station walls and ceiling were smeared black with a century of carbon deposits so thick it looked cobwebs or fur or stalactites; the air was blood warm and moist and even perched above the teeming horde he felt he was inhaling a million other exhalations. Tuberculosis, polio, smallpox, pneumonic plague, giggles of contamination horror pin-wheeled through his head. There were so many of them out there it was like wading into curry, they would tear him apart, chunks of him bobbing in the churning mass of humanity, an instant of white froth, a microdot of milk subsumed into a bubbling cauldron of broth, a twist of smoke swallowed into the smoggy haze above.

John stepped off the ladder, pushing his way into the crowd, a suitcase struck his shin, someone thudded into him, then someone else; he turned, furious he was singled out, but the expressions around him were neutral. He clutched his bags closer to his body when a hand brushed against his, paper dry with calluses when everything else was damp with subtropical humidity, his testicles shriveled in, his scalp prickled, a chill drilled into his core, but nothing happened. Not one of the hundreds, thousands of Indians elbowing past him seemed care. He relaxed his muscles and understood the ebb and flow of the crowd around him, there was a current, a direction, he let himself be swept along, no longer caring where it took him. He towered above them all, a head and shoulders jutting above a swirling sea of humanity; a godhead, a fungal stalk piercing up from an acre wide root system of rhizomes; rip tides rippled across the surface, he shrugged off inquisitive probes of his pockets, tugs at his luggage straps -— here, rubbing shoulders with millions of his brothers he no longer felt like a clotted booger of cream buoyed through society on his father’s money. This was bliss.

John was eventually disgorged from the station, nearly tripping as the crowd deposited him halfway down a flight of stairs. He caught his breath leaning up against a railing and looked back at the Victoria Terminus, this vast alien thing of wild arches and crenelated spines pulsing with throbbing chains of light bulbs, palm trees swaying beside it, and all around him, everywhere, were the teeming, jabbering masses; they were all so beautiful, even the grotesquely misshapen mistake croaking at his side. He looked down, staring into the eyes of what must have been a leper, a human roach, a creature with gnarled fingers curling in on themselves, an ashen mask for a face and he saw his own tiny reflection, doubled. He reached into his pocket and dropped a handful of damp bills into its basket. Hard currency: He was a god to these people.

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